Made into legends through books, comics, movies, songs, and TV specials, Bonnie and Clyde have lived on nearly 80 years after their deaths as a Depression era Romeo and Juliet. Brandishing high-powered machine guns and driving the newly invented Ford V-8s, Bonnie and Clyde are mythologized as Robin Hoods for the poor and destitute who had been failed by the American political and financial institutions.

article-imageClyde Barrow and Bonnie Parker (via Library of Congress)

But what is the real story behind Bonnie — a girl from Cement City, Texas, a small industrial town three miles west of Dallas — and Clyde — a young man of 5-foot-6 with dark, wavy hair and tattoos on his arms that included a heart-dagger and the letters “U.S.N.” from a failed attempt to enter the Navy as a teenager?

Growing up in Dallas in the back room of his father’s filling station, Clyde’s first brush with the law came in 1926 when he was arrested for automobile theft as a result of neglecting to return a rental car. While these charges were dropped, Clyde was arrested again only three weeks later with his brother Buck — who would later initially refuse to join the Barrow gang during the height of its notoriety — for possession of a truck full of stolen turkeys.

article-imageThe Barrow filling station (all photographs by the author)

By 1930, Clyde was incarcerated in the Eastham Prison Farm on a 14-year term for automobile theft and robbery. Known as the “Murder House” or “The Bloody Ham,” Eastham was notorious for its tough working and living conditions, as well as guards who would beat inmates with trace chains and perform random spot killings, all of which was substantiated by the Texas state legislature and the Osborne Association on U.S. Prisons which ranked the Texas prison system as the worst in the nation in 1935.

During his time at Eastham, Clyde transformed from petty criminal to emotionless killer when he murdered Ed Crowder, a man who had been sexually assaulting him since he entered the prison. Clyde’s drive in life wasn’t to become a famous bank robber, as he is sometimes labeled; it was to take revenge on Eastham. It was here that he enlisted future gang member Ralph Fults in a plan to raise enough money and ammunition to raid the prison farm and kill all of the guards after his release. While at Eastham, Clyde went so far as to chop off two of his toes with an ax to secure a medical release from the grueling work. Ironically, six days later, on February 2, 1932, he was granted parole by Texas Governor Ross Sterling. 

What followed was a two-year stretch that saw the Barrow gang rise into the national consciousness.

article-image1933 Wanted Poster (via Texas State Library & Archives Commission)

The first bank heist occurred in April of 1932 at the First National Bank in Lawrence, Kansas. While the Barrow gang is often thought of as prolific bank robbers, they mostly robbed mom-and-pop filling stations, feed, and hardware stores. After a failed robbery attempt and a shootout in Kaufman County, Texas, Clyde and an associate named Raymond Hamilton escaped while Fultz and Bonnie Parker were jailed in a small one-room cell in Kemp, Texas. Fults was transferred back to prison, but Bonnie spent only one night in jail and was released. Though injured and wounded several times by officers during her two-year run with Clyde, Bonnie never shot anyone but herself. In 1932 she accidentally grazed two of her toes when a weapon she was holding for Clyde discharged.

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article-imageMaroon Bells mountains on the White River (via US Department of Agriculture)

The rivers of the United States are essential to drinking water for millions of Americans and the survival of natural communities around their banks, but they are drying up and being corralled by dams and diversions. The nonprofit environmental advocacy group American Rivers released their America's 10 Most Endangered Rivers for 2014 list earlier this month outlining those waterways in the greatest danger.

The ranking was determined by the level of reliance of both humans and nature alike, the strength of the threat, and the imminence of decisions that will be impacting the rivers' future. The peril for the rivers ranges from outdated dam and fish passage systems such as at Washington's White River and California's San Francisquito Creek, to the reduction of floodplains and increase of diversions as with two giants of riverdom: the Middle Mississippi River and Upper Colorado River. Then there are development and industrial issues like the "megaload" trucks that pass by Idaho's Middle Fork Clearwater-Lochsa River creating both a visual and environmental blight, as well as the wastewater runoff polluting North Carolina's Haw River

However, at the top of the list is California's San Joaquin River. The largest river in the state gets the harrowing first place for its dated water management which has left much of it running dry, even as it provides drinking water for millions. American Rivers' mission is to raise the public profile of these rivers, which is especially essential for San Joaquin. As Scientific American reports, there are two major legislative and management decisions impending on San Joaquin, including the state's Water Resources Control Board updating its Bay Delta Water Quality Plan, along with a potentially devastating overturning of a settlement agreement for its restoration by Congress.

Below are the top 10 most endangered rivers per the American Rivers report, and their site includes information on what you can do to help protect them from deteriorating further. 

1 - San Joaquin River, California

article-imageSan Joaquin River (photograph by Richard E. Ellis)

2 - Upper Colorado River, Colorado

article-imageColorado River (via Grand Canyon National Park)

3 - Middle Mississippi River, Missouri, Illinois, Kentucky

article-imageAerial view of the Mississippi River (photograph by rmadlo119/Flickr user)

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To me, you would be hard pressed to find something more charming to focus your camera lens on than dusty scenes of miniature people going about their business.

Every time I visit a model train museum, I come away with hundreds of photos of tiny people doing tiny things. Here are just a few photos from the granddaddy of model train museums, the wonderful San Diego Model Train Museum.





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article-imageExpo 88 in Brisbane (via Brisbane City Council)

After visiting ParisChicagoBarcelonaNew York CityMontrealSt. LouisMelbourneSeattleBrussels, and Knoxville, Atlas Obscura's final stop in this epic tour of World's Fair relics is Brisbane, Australia, host to the fair in 1988. 

Like with Knoxville, Brisbane had its own towering landmark for World Expo 88 — the Skyneedle, a 289-foot tall monumental tower constructed especially for the fair.   

article-imageThe Skyneedle (via Wikimedia)

Unlike the Knoxville Sunsphere, however, Brisbane never intended to keep it; fair organizers were in talks with the then-new Tokyo Disneyland to relocate the Skyneedle there after the fair's close. But a Brisbane businessman and hairdresser, Stefan Ackerie, outbid Tokyo Disney and bought it instead, so it could stay in Brisbane.  

Ackerie then moved it to his salon’s corporate headquarters, adding his logo to the Skyneedle’s tip. The logo was later removed, but Ackerie still has ownership of the Skyneedle, occasionally rigging up light shows from the tower for special events. The Skyneedle has since been re-named "Night Companion," but most in Brisbane still know it as the "Skyneedle." A local band even named themselves "Sky Needle" after the structure. 

article-imageThe Peace Pagoda (photograph by Richard Fisher)

Brisbane's other showiest relic is from Asia. Nepal’s pavilion at the 1988 fair took the form of a traditional Nepalese Peace Pagoda, and is one of only three such pagodas to be found outside Nepal. It is a close copy of a pagoda in Kathmandu, India, and amid the Buddhist statuary and Sanskrit inscriptions, the pagoda has prayers for peace in four languages. 

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article-imageThe Marianne North Gallery at Kew Gardens (photograph by Jim Linwood)

Walking into the Marianne North Gallery is like entering a palace of color. The walls are plastered in vibrant greens, oranges, and fuchsias, jammed together in a luscious collage. Small squares of bright oil paintings line the doorways, luring visitors further inside.

Housed in a small building off a side path at the Kew Royal Botanic Gardens in London, the gallery was designed in 1882 by artist Marianne North and her friend, architect James Fergusson. Two full rooms display 833 botanical paintings created by North in her 13 years of travel around the globe, along with 246 different types of wood collected by North during her journeys. 

article-imageMarianne North (courtesy A McRobb/RBG Kew)

North was an unusual woman for her time. She believed religion to be “mumbo jumbo,” marriage to be “a terrible experiment,” and travel companions to be “tiresome.” She was determined, energetic, ambitious and, according to her brother-in-law, “a little satirical.” This independent woman was the oldest daughter of a wealthy political family in London. When her mother died when she was 24, she was asked to look after her aging father. For the next 15 years, North remained unmarried and traveled extensively with her father in his work as a prominent member of Parliament.

When she was 37, North was introduced to painting and found it seductive and addictive, “like dram drinking,” she reported in her 1894 autobiography Recollections of a Happy Life, Being the Autobiography of Marianne North. When her father died a few years later, North was 39 and left without her confidante and good friend. She was also left in charge of a sizable inheritance, and soon decided to venture out on her own to document the world’s biodiversity with her easel.

article-imageMarianne North painting a Tamil boy in Ceylon (1877) (photograph by Julia Margaret Cameron)

She preferred to travel alone, though she carried plenty of letters of introduction to ambassadors and heads of state to ease her arrival in foreign lands. North traveled to 16 countries on six continents and lived a life free of the societal pressures of a typical upper-class woman of the day, preferring huts or locals’ homes to fancy hotels. Crossing raging rivers, traveling at top speed on donkey carts, traversing mosquito-infested jungles — nothing stopped this woman from getting the most unusual specimens for her work. And she painted feverishly, producing over 1,000 pieces of art. 

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article-imageShukhov Tower in Mosco (photograph by Ivtorov/Wikimedia)

It's been compared to the Eiffel Tower and is celebrated by architects around the world, but after a century of looming over Moscow the Shukhov Tower may be destroyed.

Built from 1920 to 1922 after a design by Vladimir Shukhov, the 525-foot radio tower was commissioned by Lenin to broadcast into distant Soviet territories. Also known as the Shabolovka Tower, it was originally meant to be much taller — 1,150 feet — and was curtailed by a steel shortage due to the Civil War. Now it may be dismantled because of structural concerns, a proposal given approval by the Russian State Committee for Television and Radio Broadcasting this February. 

article-imageInside the Shukhov Radio Tower (photograph by Arssenev/Wikimedia)

Architects and Moscow citizens aren't ready to let the lattice tower go, with thousands of locals and numerous architects such as Rem Koolhaas, Norman Foster, and Elizabeth Diller expressing their dismay at its demise. They argue that it should be preserved as the architectural and engineering achievement that it is. 

Photographer Richard Pare, co-author of the open letter to President Putin, told the BBC: "It is a transcendent structure. The sensation of standing underneath it is so uplifting, it makes you feel weightless. It soars upwards."

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article-imageThe Pope lying in state at the National Museum of Funeral History (all images courtesy the museum)

Two late 20th century Catholic leaders — Pope John Paul II and Pope John XXIII — will be canonized into sainthood on April 27. The event will be live streamed around the world, but it is not the only posthumous honor for the pontiffs. Over in the National Museum of Funeral History in Houston, Texas, the funerary traditions of the Vatican are explored in an elaborate exhibition. 

Celebrating the Lives and Deaths of the Popes opened in 2008, and the museum is offering it as an opportunity to learn more about what happens when a Pope dies, beyond potential sainthood. Like anything within the Holy See, there is much pomp and ritual, and it's something most of us rarely get to see. A life-size diorama of the deceased in repose and a multimedia installation take visitors right inside a funeral mass in St. Peter's Basilica and its square. 

article-imageReplica of the tomb of Pope John Paul II

The museum, started in 1992, is dedicated to the history of mourning around the world, with exhibitions including Fantasy Coffins from Ghana19th century mourning customs, and the Tomb of the Unknown Soldier. Lives and Deaths of the Popes is the result of three years of collaboration with the Vatican, even working with the papal tailor to create replica vestments.

A meticulous copy of the coffin used in the burial of the three previous popes is on display, as well as a duplicate of Pope John Paul II's crypt, the full installation aiming to give you "a true sense of attending a Pope's funeral." As the title promises, there are also artifacts related to papal life, including the "Pope-mobile" that Pope John Paul II rode in during his 1982 UK tour. 

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article-imageThe one-handed trombone (courtesy Horniman Museum)

The Horniman Museum in London has some fascinating objects in its musical instruments collection, from arm-shaped clappers to a crystallophone made from 33 glass bowls, but one brass horn is especially extraordinary for its inventiveness. The one-handed trombone allows a person to play the bellowing instrument with just one arm. 

Classical music specialist Gavin Dixon wrote a guest post for the Horniman about the One Handed Musical Instrument Trust's recent visit to check out the musical wonder. The Trust is dedicated to the development of instruments like the old trombone for musicians to play with one hand. The trombone was the work of Eric McGavin who was with Boosey & Hawkes from 1950 to 1970, working on instrument design, education, and overseeing the musical instrument museum at the company's factory in Edgware.

"This double-slide trombone benefited from all these fields of expertise," Dixon writes. "Another instrument in the Horniman collection, a double-slide contrabass trombone, was part of the Boosey & Hawkes collection that McGavin curated, and this may have provided an inspiration for his design."

article-imageEric McGavin with the trombone (courtesy Horniman Museum)

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