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Resurrecting the Incredible Flower Crowns of Old Ukrainian Wedding Photos

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Crowns made for the electro-jazz band Dagadana. (Photo: Third Roosters/Треті Півні)

Back before the traditions of Eastern Europe were changed by war and Communism, as a young girl grew up in Ukraine, she would be allowed to decorate her hair, simply at first, with flowers, ribbons, and tendrils of green. In the summer, the flowers would be fresh; in the winter, they might be made of paper or cloth. Once the girl wanted to announce that she was ready for courtship, she would put on a much more elaborate headdress of flowers. When she found a man to marry, her friends would weave her a wedding wreath, which should be the most beautiful she would ever wear.

“That was the last time a maiden could wear a wreath,” says Lubow Wolynetz, the curator of folk art at New York’s Ukrainian Museum. “Once she was married she could no longer decorate her hair or head.”

In the 20th century, this tradition disappeared; in Communist Ukraine, to wear traditional dress or embroidery became a symbol of protest. Pictures of these wreaths survived, though, and even some examples. But now, as Ukrainian independence and identity is again threatened, there is a revival of this tradition.

It has become trendy to wear flower wreaths—they are “sold everywhere in Kiev,” a Vogue correspondent reports—and one studio, Third Roosters, is using old photos of traditional wreaths to recreate extraordinary headdresses.

A wedding photo from the Carpathian mountains, circa 1930s.(Photo via Third Roosters/Треті Півні

This crown was a reproduction of the crown in the picture above. (Photo: Third Roosters/Треті Півні)

Third Rooster’s aim, with this project, is recreate authentic Ukrainian looks, from the 19th and the beginning of the 20th century, before the First World War. The old photo above was taken in the early 20th century, and it pictures a couple at their wedding. The design of wedding wreaths differed across regions of Ukraine; this one is from Kornych village, in the region of the Carpathian mountains, in the west of the country.

A wreath like this one would have been made in just one day, says Wolynetz, on a maiden’s eve. The bride’s friends would come to her home, where they would find everything they needed to prepare the wreath. They might work until dawn, but they would finish it.

Ukrainian weddings traditionally took place in the late fall, so although the wreaths look to be bursting with plant life, they might have been made with artificial flowers, made from shells, cloth or paper. Only one part had to be alive, according to Wolynetz—the winding stems and leaves of periwinkle, which never dies. It was a symbol of eternity and beauty, and it’d be included in every wreath.

Another bride from the same area. (Photo via Third Roosters/Треті Півні)

These days, creating one of the wreaths takes much more than one day. “The process of creating each image with a wreath is very long and laborious,” Third Roosters wrote, in response to questions from Atlas Obscura. Each one is modeled after wreaths that have been preserved in museums or photographs, which the studio studies to understand how the wreaths are made and from what materials. They’ve learned to make wreaths from wax, paper, and flowers—to make a large one, weaving the frame and flowers, by hand, out of paper, takes a month. 

Third Roosters started recreating these wreaths last year, as part of a project that supports fighters in eastern Ukraine. They dressed the wives, sisters and mothers of fighters in outfits inspired by the traditional clothes of Ukraine; the wreaths were some of the most striking pieces.

“People want to go back and delve into the past, they want to bring out the beautiful parts, the aesthetic parts into their lives,” says Wolynetz. “In Ukraine, probably because we regained our independence after so many years of being occupied, there is more of a tendency to delve back into the past and your heritage. The occupying forces didn’t always allow you to perform these old traditions.”

Another crown inspired by the same style. (Photo: Third Roosters/Треті Півні)

For many years, clothes like these were “symbolically linked to national identity and unity,” one researcher told the New York Times in 1994, and in the Soviet era, wearing them was a way to protest the powers that tried to erase Ukrainian distinctiveness. Now, when the country is again fighting against Russia—the conflict between Ukrainian forces and Russia-allied separatist that started in 2014 is still ongoing, despite an official ceasefire—these wreaths are doing the same symbolic work.