For years, Los Angeles has claimed itself to be the birthplace of neon in America— specifically, neon signage. A bright blue materialization of the word “Packard” (the name of a bygone car company) first lit up the city’s night sky in 1925 and reportedly caused traffic to stop—literally. Rapt drivers were said to have braked to gawk at the luminous sight.

Such reports have since been debunked (it’s believed that commercial neon-signage actually made its debut in New York or San Francisco before 1925), but that hasn’t stopped the city from becoming synonymous with the electric art form.

Neon culture persists thanks to people like Michael Flechtner: an acclaimed neon artist who sits on the board of trustees at the Museum of Neon Art. Recently, Atlas Obscura and Chase Sapphire® teamed up to send a select group of cardmembers to Flektro studios: his workplace and de-facto gallery.

When Flechtner began working with neon in 1985, it was an endangered art form. Plastic and LED lighting presented cheaper, more efficient solutions. But in recent years, it has experienced a resurgence as its aesthetic has come to be appreciated as more than kitsch. Flechtner himself has been instrumental in this revival. His two-and-three dimensional creations demonstrate the medium’s potential as an art form beyond advertising.

Chase Sapphire cardmembers got an insiders’ look at Flechtner’s practice with exclusive access to his studio: a hidden gem in Van Nuys near LAX airport. Flechtner walked guests through his workshop and treated them to a live demonstration of his artistic process, from design to creation to electrification.

Check out photos from the dynamic experience below.

Neon artist Michael Flechtner.
Neon artist Michael Flechtner. Foster Snell

A three-dimensional creation by Flechtner.
A three-dimensional creation by Flechtner. Foster Snell

Another imaginative 3-D work of art.
Another imaginative 3-D work of art. Foster Snell

A visitor marvels at the neon on display at Flektro studios.
A visitor marvels at the neon on display at Flektro studios. Foster Snell

Visitors take photos of one another in the colorful space.
Visitors take photos of one another in the colorful space. Foster Snell

Where the process begins: at the drawing table.
Where the process begins: at the drawing table. Foster Snell

Guests watch as Flechtner works his magic.
Guests watch as Flechtner works his magic. Foster Snell

Heating a glass tube over a high-intensity flame.
Heating a glass tube over a high-intensity flame. Foster Snell

Observing Flechtner's practice.
Observing Flechtner’s practice. Foster Snell

The crowd gathers under a neon dolphin.
The crowd gathers under a neon dolphin. Foster Snell

A guest watches Flechtner's demonstration.
A guest watches Flechtner’s demonstration. Foster Snell

Finishing up a piece for Atlas Obscura, made specially for the occasion.
Finishing up a piece for Atlas Obscura, made specially for the occasion. Foster Snell