Thousands of years ago, some Greeks and Romans walked around carrying disembodied, twisted, corpse-like hands. Sometimes they propped them onto wooden poles and paraded them in processions. Adorned with snakes and sporting a secret compartment in the wrist hidden behind a hinged door, they were the sign of a religious cult that worshipped the mysterious Sabazius.
Each ornate bronze and copper motif, called the Hand of Sabazius, was a sacred symbol of the god Sabazius, a deity of fertility and vegetation who was worshipped alongside other gods—particularly Zeus and Dionysus, the god of wine. Scholars are still digging for clues on the exact significance of the hand, but regardless of its particular meaning, it shows that Romans were influenced by outside religions and formed their own cults.
Records of the god Sabazius date back as early as the first century. Many societies of the era practiced syncretistic religions, which are religions that are open to change and were often influenced by outside religions as people were exposed to them. The Indo-European people of Phrygia or Thrace, now modern-day Turkey, popularized the Sabazius cult and spread their practices to other parts of the Roman Empire. This cult became an amalgam of religions, with scholars noting influences from Eastern and Egyptian religions such as believing in the afterlife. However, the variability makes it difficult to identify the religion’s characteristics.
Eugene Lane, a late professor of classical studies at the University of Missouri, Columbia, wrote in 1980 that there are several representations of the god Sabazius: he is shown sitting on a throne holding a spear and libation, riding a horse and wearing a diadem-style crown, and surrounded by snakes and eagles. Lane and other scholars found that among these variations, the votive hand was the one feature commonly associated with the Sabazius cult.
Hands “which have the hand in the position of the ‘benedictio Latina’ are to be connected with Sabazius,” wrote Lane. The benedictio Latina position is when the right hand’s thumb, index, and middle fingers are extended out, while the ring and pinky fingers are tucked into the palm. It’s a typical gesture of blessing in Western religions, and is commonly known in early Christian imagery as “God’s Hand.”
Curators at the Walters Art Museum in Baltimore, Maryland report that the hands usually feature Sabazius himself seated in the palm. The cult’s various symbols are engraved over the entire hand. Sabazius is often surrounded by a snake, lizard, lion, ram, bull, frog, eagle and turtle, among a myriad of different animals. A pinecone—a sign of divinity, fertility, or immortality—typically rests on the thumb.
Some hands also had a small hinged door on the wrist that locked away a lost object, such as a mother and child. The hand and the symbols were believed to hold healing and protecting powers, according to the editors of the book Representation in Religion: Studies in Honour of Moshe Barasch.
Emily Hunt in OVERUNDERSIDEWAYSDOWN, curated by Glenn Barkley at Manly Art Gallery & Museum opening tonight. Exhibition continues until 26/06/16. image: Emily Hunt, The Hand of Sabazius II, 2015, raw copper and clear glaze on stoneware, 40.00 x 19.00 x 8.00 cm (photo: Jessica Maurer) #emilyhunt #thehandofsabazius #sabazius #stoneware #hand #hands @manly_art_gallery #manlyartgallery #manlyartgallerymuseum
Scholars today have not found any temples devoted to Sabazius, and many questions remain unanswered about the god, the hand’s significance, and the cult’s practices. While other religions have used the hand to resemble many different gods, the Hand of Sabazius may be one of the only remaining artifacts that proves this cult existed. The editors of Representation in Religion conclude: “As an icon, the hand was an essential part of the mental and material imagery of late antique pagan culture, particularly of its religion.”
[#국립중앙박물관 #전시품이야기] ㅡ ‘사바지우스의 손’을 소개합니다. #사바지우스 는 로마의 중요한 신 중 하나였는데, 사람들은 이 신에게 온갖 상징으로 장식된 손 모양의 봉헌물을 바쳤다고 합니다. 뱀, 두꺼비, 솔방울, 새 등으로 장식된 이 전시품은 임산부와 모유 수유자를 보호하고 행운을 기원하기 위해 제작됐습니다. 4월 5일(일)까지 전시되는 #로마제국의도시문화와폼페이 展에서 직접 만나보세요! ㅡ 오늘은 #야간개장 을 맞아 오전 9시부터 오후 9시까지 개관합니다. 오늘은 #국립중앙박물관_폼페이전 의 마지막 #큐레이터와의대화 가 열립니다. 다양한 주제의 전시해설을 무료로 들을 수 있는 ‘큐레이터와의 대화’에 오후 7시부터(30분간) 참여해보세요. ㅡ #사바지우스의손 #HandofSabazius #Pompeii, Magical Rites Complex Inv. 10486 D 5.5 #폼페이 사람들은 가능한 모든 방법으로 행운을 기원했다. 이 청동상은 오른손의 처음 세 손가락은 뻗고 네 번째와 새끼손가락은 굽혀서 축복의 손짓을 하고 있다. 검지와 중지 사이 손바닥에는 사바지우스와 함께 뱀, 두꺼비, 딱정벌레, 솔방울, 새 등의 이미지가 표현되어 있다. 손목 안쪽, 타원의 아치 안쪽에는 여성과 어린이의 이미지가 있어 임산부와 모유 수유자를 보호하는 부적임을 암시한다. 부조로 표현된 각종 지물은 이 상이 봉헌을 위한 제물이었음을 보여준다. 식물의 신, 사바지우스의 상징으로 대단한 액막이의 힘을 가진다. #소장품이야기 #Sabazius #nationalmuseumofkorea #pompeii
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